LANGE’S SHORT STORY CAPTIONS

From Texas tenant farmer to California fruit tramp. Marysville, Calif. His story: 1927 made 7,000 dollars in cotton. 1928 broke even. 1929 went in the hole. 1930 went in still deeper. 1931 lost everything. 1932 hit the road. by Dorothea Lange, 1936. Another photo of this family is below
From Texas tenant farmer to California fruit tramp. Marysville, Calif. His story: 1927 made 7,000 dollars in cotton. 1928 broke even. 1929 went in the hole. 1930 went in still deeper. 1931 lost everything. 1932 hit the road. Photograph by Dorothea Lange. 1936

Text by Bruce Berman

Dorothea Lange not only photographed the people who were suffering the disaster of the Depression, she got to know them.

Her captions, written and sent to Roy Stryker at the FSA (either with her undeveloped film -which was rare- or with her developed film (she was the only FSA shooter allowed to do so) often were mini Short Stories.

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MOO (FOR ME?): BETHEL, NEW MEXICO

Posted by Bruce Berman

Dairy cow in Bethel, New Mexico, July 2010

©Bruce Berman

Text by Bruce Berman
Milk was available in New Mexico during the Great Depression, although not always accessible to everyone. 
The Depression significantly impacted New Mexico’s economy, affecting both dairy farmers and consumers. While some individuals and families might have struggled to afford milk, it was still produced and distributed to some degree. 
Dairies still exist in New Mexico but the privately-owned dairies –like everything else– are rapidly disappearing.

Tags: 1930’s PhotographyNew MexicoU.S.60

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RUSSELL LEE AND THE CULTURES OF NEW MEXICO

Posted by Bruce Berman

Girl in northern New Mexico, 1937

by Mary Lamonica

Drive through New Mexico today and you’ll find a state awash with vibrant cultures. Hispanics, Native Americans, Anglos, African Americans, and Asian Americans all call New Mexico home. Back in the late 1930s and early 1940s, Russell Lee and his boss, Roy Stryker, the head of the Farm Security Administration (FSA) which employed Russell Lee and the other FSA shooters (including Dorothea Lange, Walker Evans, Arthur Rothstein, John Vachon), knew many Americans were unfamiliar with Hispanics and Hispanic life. Racial laws supposedly providing “separate, but equal” facilities were anything but. Stryker and Lee were determined to do their part to change the situation by sending Lee on a lengthy documentary trip through the Southwest to showcase Hispanic life. New Mexico’s more than 221,000 Hispanics were the key draw.

Lee appeared to have first photographed Mexican Americans in 1937 during a swing through Minnesota. Lee encountered Hispanic sugar beet workers bringing in the year’s harvest. He and his wife Jean so loved Mexican culture that the two took their honeymoon in Mexico. Detailing Hispanic life became a priority for the photographer. The Lees made a preliminary trip to New Mexico in 1939 for the FSA, photographing Hispanic and Native American life around Taos.

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GAS AND WATER

Posted by Bruce Berman

Filling station in New Mexico. Boys pulling water from a well,
photograph by Russell Lee

Essay by Mary Lamonica

Cars. By 1929, more than 26.5 million automobiles cris-crossed American roads. Between one-third and one-half of all families owned a vehicle when the stock market collapsed in October 1929.

Although many Americans lost homes and jobs during the Great Depression, those who could hung onto their automobiles and their radios. Both brought dreams of a better life, but cars might actually be able to get people there.

Cars, therefore, were more than mere vehicles of transportation during the depression years. Cars were hope. Cars were freedom. Cars often were homes, too, as abundant FSA photographs attest. It’s not surprising that so many people developed a bond with their cars during the 1930s.

The Great Depression forced other Americans to move backward, away from the burgeoning car culture. The FSA photographers frequently captured images of horses or mules hitched to wagons, headed down rural roads and main streets. Not everyone could afford (or maintain) Henry Ford’s $300 Model T (or a Dodge or an Oldsmobile) when jobs became scarce.

America’s car culture had far-reaching effects by the time of the Great Depression. Cars meant mobility, certainly. But cars also meant jobs, and not just for assembly-line workers in Michigan. As automobile ownership shifted from the province of the wealthy in the early 1900s and into the realm of the middle- and working classes by the 1920s, whole industries sprung up. Oil workers, service station mechanics, and attendants were needed. Roads had to be improved. Hotels and restaurants sprang up, seemingly overnight in some places, to meet travelers’ demands. Russell Lee photographed many such places as he traveled the nation’s new byways.

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MOTHERS

Posted by Bruce Berman

Mother and daughters selling Krispie Kream donuts, 106 degrees, Portales, NM -June 2010
©Bruce Berman


The thing is, there was nobody on the streets of the town of 11,000 people.
Nobody.
But there really didn’t seem to be a need for any. This was more like a Mother/Daughters event, something to do together. and, maybe, raise money for the local high school Cheer Team.
Obviously, with mothers and daughters fund raising with luxury donuts, times in portales were, well, not like the near starvation nothing-to-cheer-about level that Lee encoutered on his tours of eastern New Mexico (see below).

Mother and kids in improvised shelter, Tahlequah, Oklahoma, 1936, by © Russell Lee.



Tags: 1930’s PhotographyNew MexicoRussell LeeSmall Town AmericaU.S.60

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WINNERS

Posted by Bruce Berman

Lois Stagg who, with her husband, rents and runs the cafe. Both she and her husband came to New Mexico with their families from Texas. She won the 4-H awards shown. Pie Town, New Mexico, June 1940 by © Library of Congress/Russell Lee

Ashlea Young, the new 2010 Heritage Days Princess, with her prizes, at the Heritage Days Festival, Portales, New Mexico, June 2010.

©Bruce Berman

My mother, Pauline Lucile Farley, 17, Dalhart, Texas 1934

(photographer unknown)

Tags: 1930’s PhotographyFestivalsNew MexicoRussell LeeSmall Town contestsU.S.60

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